1. Alternative Required Modules (APM)
160010 VO Music History V (1850-1950)
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160037 VO Venice: Musical Anatomy of a City
160057 VO History of popular music
160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
160031 VO+UE Current Musicology - perspectives of research
160034 SE Pierre de la Rue
160027 SE Film Music for belittlement
160053 SE Baroque opera in Austria
160011 SE Händel´s early operas
160017 SE The Fateful Backward Glance of a Lover
160059 PR Writing about New Music
160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
160075 VO Music at the Hapsburg family
160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160037 VO Venice: Musical Anatomy of a City
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160057 VO History of popular music
160045 VO African Music II
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160031 VO+UE Current Musicology - perspectives of research
160017 SE The Fateful Backward Glance of a Lover
160053 SE Baroque opera in Austria
160058 SE Analysis of popular music
160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
160073 SE Dentô ongaku: Traditional Music in Japan
160010 VO Music History V (1850-1950)
160037 VO Venice: Musical Anatomy of a City
160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160045 VO African Music II
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160057 VO History of popular music
160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160031 VO+UE Current Musicology - perspectives of research
160011 SE Händel´s early operas
160017 SE The Fateful Backward Glance of a Lover
160027 SE Film Music for belittlement
160049 SE Sound Design & Acoustic Measurement
160053 SE Baroque opera in Austria
160058 SE Analysis of popular music
160059 PR Writing about New Music
160073 SE Dentô ongaku: Traditional Music in Japan
160075 VO Music at the Hapsburg family
160010 VO Music History V (1850-1950)
160037 VO Venice: Musical Anatomy of a City
160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160057 VO History of popular music
160031 VO+UE Current Musicology - perspectives of research
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160011 SE Händel´s early operas
160017 SE The Fateful Backward Glance of a Lover
160027 SE Film Music for belittlement
160034 SE Pierre de la Rue
160053 SE Baroque opera in Austria
160058 SE Analysis of popular music
160059 PR Writing about New Music
160073 SE Dentô ongaku: Traditional Music in Japan
160075 VO Music at the Hapsburg family
160010 VO Music History V (1850-1950)
160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
160057 VO History of popular music
160037 VO Venice: Musical Anatomy of a City
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160031 VO+UE Current Musicology - perspectives of research
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160053 SE Baroque opera in Austria
160049 SE Sound Design & Acoustic Measurement
160011 SE Händel´s early operas
160017 SE The Fateful Backward Glance of a Lover
160058 SE Analysis of popular music
160027 SE Film Music for belittlement
160034 SE Pierre de la Rue
160059 PR Writing about New Music
160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
160073 SE Dentô ongaku: Traditional Music in Japan
160075 VO Music at the Hapsburg family
Last modified: We 13.06.2018 00:39