M03 APM 3

• 160010 VO Music History V (1850-1950)
• 160037 VO Venice: Musical Anatomy of a City
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160045 VO African Music II
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160057 VO History of popular music
• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
• 160031 VO+UE Current Musicology - perspectives of research
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160011 SE Händel´s early operas
• 160017 SE The Fateful Backward Glance of a Lover
• 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160027 SE Film Music for belittlement
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160047 PR Practical Introduction into Acoustical Measurement Techniques
• 160049 SE Sound Design & Acoustic Measurement
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160050 KO Conversatorium in Musical-Acoustic Issues
• 160059 PR Writing about New Music
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160073 SE Dentô ongaku: Traditional Music in Japan
• 160075 VO Music at the Hapsburg family