A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160083 VO Work techniques in musicology
• 160114 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160042 VO Introduction to musicology III
• 160050 VO Introduction to musicology V
• 160051 VO Introduction to musicology II
• 160067 VO Introduction to musicology I
• 160074 VO Introduction to musicology IV

B02 Module - Music Theory

• 160110 UE Hearing and Recognition of Musical Structures
• 160115 UE Hearing and Recognition of Musical Structures
• 160117 UE Exercises in ethnomusicological transcription

B02.1 Modul Tonsatz und musikalische Strukturen I

• 160108 UE Harmony
• 160110 UE Hearing and Recognition of Musical Structures
• 160113 UE Harmony
• 160115 UE Hearing and Recognition of Musical Structures

B02.2 Modul Tonsatz und musikalische Strukturen II

• 160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
• 160117 UE Exercises in ethnomusicological transcription
• 160119 UE Theory for Jazz and Popular Music of the 20th Century

B03 Basic Module - History of European Music before and after 1600

• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160069 VO Music History V (1850-1950)
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160120 VO+UE Conversations about Conventions
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160136 PS Giacomo Puccini
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
• 160174 VO Introduction to Romanian Music

B04 Basic Module - Ethnomusicology

• 160047 PS Music in Southeastern Africa
• 160048 UE World Music in Vienna
• 160059 PS Tone Systems, Scales and Tunings
• 160077 VO The musics of the world at a glance 1st part
• 160102 VO African music in the 20th century
• 160117 UE Exercises in ethnomusicological transcription
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160141 UE Afro-Brazilian Percussion
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

B05 Basic Module - Systematic Musicology

• 160059 PS Tone Systems, Scales and Tunings
• 160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 VO Lecture Series: Music - Nature - Science
• 160145 VO+UE Interrelations of room acoustics and composition
• 160152 VO Introduction to Music Psychology and Media Psychology

B06 Basic Module - Contemporary Music and Popular Music

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160048 UE World Music in Vienna
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160071 PS Musicals between popularity and crisis
• 160072 VO Lecture Series: Music - Nature - Science
• 160077 VO The musics of the world at a glance 1st part
• 160102 VO African music in the 20th century
• 160104 VO Soundtrack to the expression of conflict
• 160119 UE Theory for Jazz and Popular Music of the 20th Century
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160141 UE Afro-Brazilian Percussion
• 160145 VO+UE Interrelations of room acoustics and composition
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
• 160156 VO Night music
• 160159 VO+UE Tango Argentino: It's Music, Dance and Culture
• 160174 VO Introduction to Romanian Music

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160047 PS Music in Southeastern Africa
• 160059 PS Tone Systems, Scales and Tunings
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160070 UE Scientific databases - Electronic bibliography - Dialogue with research
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B08 Final Module

• 160045 SE Theory and practice of field research
• 160047 PS Music in Southeastern Africa
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160059 PS Tone Systems, Scales and Tunings
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160064 PS The Masses of Jacob Obrecht
• 160066 SE Recording, Mix & Mastering
• 160071 PS Musicals between popularity and crisis
• 160075 SE Pitch, Interval, Timbre
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
• 160107 SE The String Quartets by Joseph Haydn
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160135 SE Around 1500: Features of a key period in music history
• 160136 PS Giacomo Puccini
• 160151 SE Popular Music as a Historical Phenomenon
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160135 SE Around 1500: Features of a key period in music history
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B10 VM History of European Music after 1600

• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160069 VO Music History V (1850-1950)
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
• 160107 SE The String Quartets by Joseph Haydn
• 160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
• 160120 VO+UE Conversations about Conventions
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160136 PS Giacomo Puccini
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
• 160174 VO Introduction to Romanian Music

B11 VM Ethnomusicology

• 160045 SE Theory and practice of field research
• 160047 PS Music in Southeastern Africa
• 160048 UE World Music in Vienna
• 160059 PS Tone Systems, Scales and Tunings
• 160077 VO The musics of the world at a glance 1st part
• 160088 VO Psychoanalysis of Musical Meaning
• 160102 VO African music in the 20th century
• 160117 UE Exercises in ethnomusicological transcription
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160141 UE Afro-Brazilian Percussion
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

B12 VM Systematic Musicology

• 160059 PS Tone Systems, Scales and Tunings
• 160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160066 SE Recording, Mix & Mastering
• 160072 VO Lecture Series: Music - Nature - Science
• 160075 SE Pitch, Interval, Timbre
• 160088 VO Psychoanalysis of Musical Meaning
• 160145 VO+UE Interrelations of room acoustics and composition
• 160152 VO Introduction to Music Psychology and Media Psychology

B13 VM Contemporary Music

• 160048 UE World Music in Vienna
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160072 VO Lecture Series: Music - Nature - Science
• 160104 VO Soundtrack to the expression of conflict
• 160145 VO+UE Interrelations of room acoustics and composition
• 160156 VO Night music
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
• 160174 VO Introduction to Romanian Music

B14 VM Popular Music

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160048 UE World Music in Vienna
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160071 PS Musicals between popularity and crisis
• 160072 VO Lecture Series: Music - Nature - Science
• 160077 VO The musics of the world at a glance 1st part
• 160102 VO African music in the 20th century
• 160104 VO Soundtrack to the expression of conflict
• 160119 UE Theory for Jazz and Popular Music of the 20th Century
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160141 UE Afro-Brazilian Percussion
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
• 160151 SE Popular Music as a Historical Phenomenon
• 160159 VO+UE Tango Argentino: It's Music, Dance and Culture

B15 VM Source Study, Source Work and Source Criticism

• 160045 SE Theory and practice of field research
• 160047 PS Music in Southeastern Africa
• 160059 PS Tone Systems, Scales and Tunings
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160135 SE Around 1500: Features of a key period in music history
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160151 SE Popular Music as a Historical Phenomenon
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B16 EM Music and Society

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160048 UE World Music in Vienna
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160069 VO Music History V (1850-1950)
• 160071 PS Musicals between popularity and crisis
• 160077 VO The musics of the world at a glance 1st part
• 160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
• 160102 VO African music in the 20th century
• 160104 VO Soundtrack to the expression of conflict
• 160133 VO Max Reger - Approaches to the music and the man
• 160136 PS Giacomo Puccini
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
• 160151 SE Popular Music as a Historical Phenomenon
• 160152 VO Introduction to Music Psychology and Media Psychology
• 160159 VO+UE Tango Argentino: It's Music, Dance and Culture
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B17 EM Analysis and Theoretical Interpretation of Music

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160059 PS Tone Systems, Scales and Tunings
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160069 VO Music History V (1850-1950)
• 160088 VO Psychoanalysis of Musical Meaning
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160107 SE The String Quartets by Joseph Haydn
• 160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
• 160117 UE Exercises in ethnomusicological transcription
• 160119 UE Theory for Jazz and Popular Music of the 20th Century
• 160120 VO+UE Conversations about Conventions
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160135 SE Around 1500: Features of a key period in music history
• 160136 PS Giacomo Puccini
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160145 VO+UE Interrelations of room acoustics and composition
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
• 160151 SE Popular Music as a Historical Phenomenon
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160059 PS Tone Systems, Scales and Tunings
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160069 VO Music History V (1850-1950)
• 160071 PS Musicals between popularity and crisis
• 160088 VO Psychoanalysis of Musical Meaning
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
• 160104 VO Soundtrack to the expression of conflict
• 160107 SE The String Quartets by Joseph Haydn
• 160120 VO+UE Conversations about Conventions
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160135 SE Around 1500: Features of a key period in music history
• 160136 PS Giacomo Puccini
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160151 SE Popular Music as a Historical Phenomenon
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160159 VO+UE Tango Argentino: It's Music, Dance and Culture
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
• 160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
• 160174 VO Introduction to Romanian Music

B19 EM Current Musicology

• 160048 UE World Music in Vienna
• 160070 UE Scientific databases - Electronic bibliography - Dialogue with research
• 160072 VO Lecture Series: Music - Nature - Science
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B20 EM Applied Musicology I

• 160045 SE Theory and practice of field research
• 160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160066 SE Recording, Mix & Mastering
• 160070 UE Scientific databases - Electronic bibliography - Dialogue with research
• 160072 VO Lecture Series: Music - Nature - Science
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160145 VO+UE Interrelations of room acoustics and composition
• 160152 VO Introduction to Music Psychology and Media Psychology
• 160161 PR Cultural management and festival organization
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700