Universität Wien

16.01. Musicology

A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

160083 VO Work techniques in musicology
160114 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

160042 VO Introduction to musicology III
160050 VO Introduction to musicology V
160051 VO Introduction to musicology II
160067 VO Introduction to musicology I
160074 VO Introduction to musicology IV

B02 Module - Music Theory

160110 UE Hearing and Recognition of Musical Structures
160115 UE Hearing and Recognition of Musical Structures
160117 UE Exercises in ethnomusicological transcription

B02.1 Modul Tonsatz und musikalische Strukturen I

160108 UE Harmony
160110 UE Hearing and Recognition of Musical Structures
160113 UE Harmony
160115 UE Hearing and Recognition of Musical Structures

B02.2 Modul Tonsatz und musikalische Strukturen II

160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160117 UE Exercises in ethnomusicological transcription
160119 UE Theory for Jazz and Popular Music of the 20th Century

B03 Basic Module - History of European Music before and after 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160120 VO+UE Conversations about Conventions
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160136 PS Giacomo Puccini
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

B04 Basic Module - Ethnomusicology

160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160059 PS Tone Systems, Scales and Tunings
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160117 UE Exercises in ethnomusicological transcription
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

B05 Basic Module - Systematic Musicology

160059 PS Tone Systems, Scales and Tunings
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 VO Lecture Series: Music - Nature - Science
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology

B06 Basic Module - Contemporary Music and Popular Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160071 PS Musicals between popularity and crisis
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160119 UE Theory for Jazz and Popular Music of the 20th Century
160132 VO+UE Music for Silent Film in Weimar Republic
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160174 VO Introduction to Romanian Music

B07 Basic Module - Source Study, Source Work and Source Criticism

160047 PS Music in Southeastern Africa
160059 PS Tone Systems, Scales and Tunings
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B08 Final Module

160045 SE Theory and practice of field research
160047 PS Music in Southeastern Africa
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160064 PS The Masses of Jacob Obrecht
160066 SE Recording, Mix & Mastering
160071 PS Musicals between popularity and crisis
160075 SE Pitch, Interval, Timbre
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160107 SE The String Quartets by Joseph Haydn
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160135 SE Around 1500: Features of a key period in music history
160136 PS Giacomo Puccini
160151 SE Popular Music as a Historical Phenomenon
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160135 SE Around 1500: Features of a key period in music history
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B10 VM History of European Music after 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160107 SE The String Quartets by Joseph Haydn
160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160136 PS Giacomo Puccini
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

B11 VM Ethnomusicology

160045 SE Theory and practice of field research
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160059 PS Tone Systems, Scales and Tunings
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160102 VO African music in the 20th century
160117 UE Exercises in ethnomusicological transcription
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

B12 VM Systematic Musicology

160059 PS Tone Systems, Scales and Tunings
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160088 VO Psychoanalysis of Musical Meaning
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology

B13 VM Contemporary Music

160048 UE World Music in Vienna
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160072 VO Lecture Series: Music - Nature - Science
160104 VO Soundtrack to the expression of conflict
160145 VO+UE Interrelations of room acoustics and composition
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160174 VO Introduction to Romanian Music

B14 VM Popular Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160071 PS Musicals between popularity and crisis
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160119 UE Theory for Jazz and Popular Music of the 20th Century
160132 VO+UE Music for Silent Film in Weimar Republic
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160159 VO+UE Tango Argentino: It's Music, Dance and Culture

B15 VM Source Study, Source Work and Source Criticism

160045 SE Theory and practice of field research
160047 PS Music in Southeastern Africa
160059 PS Tone Systems, Scales and Tunings
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160097 SE W.A. Mozart: The Piano Sonatas
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B16 EM Music and Society

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160071 PS Musicals between popularity and crisis
160077 VO The musics of the world at a glance 1st part
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160133 VO Max Reger - Approaches to the music and the man
160136 PS Giacomo Puccini
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B17 EM Analysis and Theoretical Interpretation of Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160107 SE The String Quartets by Joseph Haydn
160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160117 UE Exercises in ethnomusicological transcription
160119 UE Theory for Jazz and Popular Music of the 20th Century
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160136 PS Giacomo Puccini
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160071 PS Musicals between popularity and crisis
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160136 PS Giacomo Puccini
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

B19 EM Current Musicology

160048 UE World Music in Vienna
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B20 EM Applied Musicology I

160045 SE Theory and practice of field research
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology
160161 PR Cultural management and festival organization
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

160062 SE Gifted - celebrated - forgotten?
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160145 VO+UE Interrelations of room acoustics and composition
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

M02 APM 2

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160117 UE Exercises in ethnomusicological transcription
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M03 APM 3

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M04 APM 4

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

M05 APM 5

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

2. Elective Modules (WM)

M06 WM History of European Music before 1600

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160135 SE Around 1500: Features of a key period in music history
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M07 WM History of European Music after 1600

160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M08 WM Ethnomusicology

160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160102 VO African music in the 20th century
160117 UE Exercises in ethnomusicological transcription
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

M09 WM Systematic Musicology

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160088 VO Psychoanalysis of Musical Meaning
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology

M10 WM Contemporary Music

160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160072 VO Lecture Series: Music - Nature - Science
160104 VO Soundtrack to the expression of conflict
160145 VO+UE Interrelations of room acoustics and composition
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160174 VO Introduction to Romanian Music

M11 WM Popular Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160048 UE World Music in Vienna
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160132 VO+UE Music for Silent Film in Weimar Republic
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160159 VO+UE Tango Argentino: It's Music, Dance and Culture

M12 WM Source Study, Source Work and Source Criticism

160045 SE Theory and practice of field research
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160097 SE W.A. Mozart: The Piano Sonatas
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M13 WM Music and Society

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160077 VO The musics of the world at a glance 1st part
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160133 VO Max Reger - Approaches to the music and the man
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M14 WM Analysis and Theoretical Interpretation of Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M16 WM Current Musicology

160048 UE World Music in Vienna
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M17 WM Applied Musicology

160045 SE Theory and practice of field research
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology
160161 PR Cultural management and festival organization
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

3. M18 Master Seminar Module

C. Diploma Degree Programme in Musicology

First Stage of the Degree Programme

160042 VO Introduction to musicology III
160047 PS Music in Southeastern Africa
160050 VO Introduction to musicology V
160051 VO Introduction to musicology II
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160064 PS The Masses of Jacob Obrecht
160067 VO Introduction to musicology I
160071 PS Musicals between popularity and crisis
160074 VO Introduction to musicology IV
160083 VO Work techniques in musicology
160110 UE Hearing and Recognition of Musical Structures
160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160114 VO Principles of Music
160115 UE Hearing and Recognition of Musical Structures
160119 UE Theory for Jazz and Popular Music of the 20th Century
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160136 PS Giacomo Puccini

First and Second Stage of the Degree Programme

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160048 UE World Music in Vienna
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

Second Stage of the Degree Programme

160045 SE Theory and practice of field research
160057 MA Seminar for master and doctoral candidates: Research and Questions - Questions about Research
160062 SE Gifted - celebrated - forgotten?
160066 SE Recording, Mix & Mastering
160075 SE Pitch, Interval, Timbre
160076 MA Research seminar for diploma, master and doctoral candidates
160087 MA Research seminar for diploma, master and doctoral candidates
160091 MA Research seminar for diploma, master and doctoral candidates
160096 MA Research seminar for diploma, master and doctoral candidates
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160105 MA Research seminar for diploma, master and doctoral candidates
160107 SE The String Quartets by Joseph Haydn
160135 SE Around 1500: Features of a key period in music history
160151 SE Popular Music as a Historical Phenomenon
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160165 MA Research seminar for diploma, master and doctoral candidates
160168 MA Seminar for master and doctoral candidates: Research and Questions - Questions about Research

Courses for Diploma and Doctoral Candidates

160045 SE Theory and practice of field research
160057 MA Seminar for master and doctoral candidates: Research and Questions - Questions about Research
160062 SE Gifted - celebrated - forgotten?
160066 SE Recording, Mix & Mastering
160075 SE Pitch, Interval, Timbre
160076 MA Research seminar for diploma, master and doctoral candidates
160087 MA Research seminar for diploma, master and doctoral candidates
160091 MA Research seminar for diploma, master and doctoral candidates
160096 MA Research seminar for diploma, master and doctoral candidates
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160105 MA Research seminar for diploma, master and doctoral candidates
160107 SE The String Quartets by Joseph Haydn
160135 SE Around 1500: Features of a key period in music history
160151 SE Popular Music as a Historical Phenomenon
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160165 MA Research seminar for diploma, master and doctoral candidates
160168 MA Seminar for master and doctoral candidates: Research and Questions - Questions about Research

D. Complementary Study Programmes/Minors

CSP European History of Music

Required Module 1: European History of Music up to the Middle of the 18th Century

160067 VO Introduction to musicology I
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160138 VO Music and Theory of Music in the Ancient Greek World
160156 VO Night music

Required Module 2: European History of Music from the Middle of the 18th Century to the Present

160051 VO Introduction to musicology II
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160104 VO Soundtrack to the expression of conflict
160133 VO Max Reger - Approaches to the music and the man
160156 VO Night music
160174 VO Introduction to Romanian Music

CSP World Music

Required Module 1: Introduction to Ethnomusicology

160042 VO Introduction to musicology III

Required Module 2: Survey of World Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century

Last modified: We 13.06.2018 00:37